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永明詩律研究 版權信息
- ISBN：9787310047420
- 條形碼：9787310047420 ; 978-7-310-04742-0
- 裝幀：一般膠版紙
- 冊數：暫無
- 重量：暫無
- 所屬分類：>
永明詩律研究 內容簡介
本書探討了三位*重要的永明詩人沈約、王融和謝眺詩歌作品中的聲律規則。不同于傳統的經驗觀察, 本書采用量化研究方法, 將永明詩中的聲調對立與前永明詩及隨機聲調分布進行比較, 發現了永明詩人對聲調的有意操控。
永明詩律研究 目錄
Chapter 1 Introduction to the Puzzle
1.I Tonal prosody in Tang Regulated Style verses
1.2 The legendary origin and the outstanding issues
1.3 The objectives and the arrangement oflhis book
Chapter 2 Methodology
2.1 Major approaches in the research of versification
2.2 Our approach
Chapter 3 Construction of the Baseline
3.1 A reference point for comparison
3.2 Baselines used in previous studies
3.3 Conslructing a better baseline
Chapter 4 Pair-Wise Contrasts in Yongming Style
4.1 Previous quantitative findings fi-om Yongming poem data
4.2 Our discoveries——tonal rules in the Yongming poems
4.3 Statistical tests
4.4 Summary oflhe test results and conclusion
Chapter 5 Patterns in XXXXPLines
5.1 Tonal patterns
5 2 The patterns found in lines where T5A is ping
5.3 Statistical testing ofthe pattern types found in PL2
5.4 Discussion ofthe tonal paltems found in PL2
5.5 Patterns in XXXXP lines inZL1
Chapter 6 Patterns in XXXXZ Lines
6.1 The frequencies of all possl"ole patterns ofping and ze combinations in XXXXZ lines in the Yongming collections
6.2 The frequencies of all possble patterns ofping and ze combinations in XXXXZ lines in the pre-Yongming collections
6.3 Major pattem types in ZL2 in the Yongming collections
6.4 Discussion ofthe tonal pattems found in ZL2
6.5 Pattem types in XXXXZ lines in ZL1 and PL1
6.6 The relationship between pair-wise contrast rules and patterns
6.7 Summary
Chapter 7 Conclusion
Bibliography
Alpendix
Subject Index
Name Index
1.I Tonal prosody in Tang Regulated Style verses
1.2 The legendary origin and the outstanding issues
1.3 The objectives and the arrangement oflhis book
Chapter 2 Methodology
2.1 Major approaches in the research of versification
2.2 Our approach
Chapter 3 Construction of the Baseline
3.1 A reference point for comparison
3.2 Baselines used in previous studies
3.3 Conslructing a better baseline
Chapter 4 Pair-Wise Contrasts in Yongming Style
4.1 Previous quantitative findings fi-om Yongming poem data
4.2 Our discoveries——tonal rules in the Yongming poems
4.3 Statistical tests
4.4 Summary oflhe test results and conclusion
Chapter 5 Patterns in XXXXPLines
5.1 Tonal patterns
5 2 The patterns found in lines where T5A is ping
5.3 Statistical testing ofthe pattern types found in PL2
5.4 Discussion ofthe tonal paltems found in PL2
5.5 Patterns in XXXXP lines inZL1
Chapter 6 Patterns in XXXXZ Lines
6.1 The frequencies of all possl"ole patterns ofping and ze combinations in XXXXZ lines in the Yongming collections
6.2 The frequencies of all possble patterns ofping and ze combinations in XXXXZ lines in the pre-Yongming collections
6.3 Major pattem types in ZL2 in the Yongming collections
6.4 Discussion ofthe tonal pattems found in ZL2
6.5 Pattem types in XXXXZ lines in ZL1 and PL1
6.6 The relationship between pair-wise contrast rules and patterns
6.7 Summary
Chapter 7 Conclusion
Bibliography
Alpendix
Subject Index
Name Index
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永明詩律研究 作者簡介
宋晨清，女，北京外國語大學文學土，美國威斯康辛大學麥迪遜校區東亞系碩士、博士。現為美國紐約州立大學賓漢頓分校助理教授，為第十五屆“國際中國語言學學會青年學者獎”和“橋本萬太郎歷史音韻學獎”得主（2006年），研究領域為歷史音韻學、音系理論、詩律學等。 張洪明，男，復旦大學中文系學士、碩士，加州大學語言學碩士、博士。分別執教于復旦大學、新加坡國立大學等，現為美國威斯康辛大學麥迪遜校區中文教學部主任，南開大學特聘“陳省身講席教授”，教育部特聘“長江學者講座教授”，并擔任《國際中國語言學報》執行主編。研究領域為音系理論、韻律和語法的界面關系、歷史語言學、詩律學等。
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