**章 羅的起源與文化 The Origin and Culture of Leno **節 羅的簡介 The BriefIntroduction to Leno 第二節 商周時期的羅 Leno in the Shang and Zhou Dynasties 第三節 春秋戰國時期的羅 Leno in the Spring and Autumn Period and the Warring States Period 第四節 兩漢時期的羅 Leno in the Han Dynasty 第五節 隋唐時期的羅 Leno in the Sui and Tang Dynasties 第六節 宋元時期的羅 Leno in the Song and Yuan Dynasties 第七節 明清時期的羅 Leno in the Ming and Qing Dynasties 第二章 羅的織造技藝 The Weaving。Technology of Leno **節 羅織造技藝的演變 The Evolution ofLeno Weaving Technology 一、史前的絞經與絞編織造技藝 The Twist Knitting Weaving Technology of Strand Textiles in Prehistory 二、商周時期的絞經織造技藝 The Weaving Technology of Strand Textiles in the Shang and Zhou Dynasties 三、戰國至秦漢時期的絞經織造技藝 TheWeavingTechnologyofStrandTextiles from the Warring States Period to the Qin and Han Dynasties 四、隋唐時期的羅織造技藝 The Weaving Technology of Leno Fabrics in the Sui and Tang Dynasties 五、元時期的羅織造技藝 The Weaving Technology ofLeno Fabrics in the Yuan Dynasty 六、明清時期的羅織造技藝 The Weaving Technology ofLeno Fabrics in the Ming and Qing Dynasties 第二節 羅生產織造的工序 The Manufacturing and Weaving Process of Leno 一、原料準備 Raw Material Preparation 二、織造準備 Weaving Preparation 三、上機織造 Weaving Process 四、后整理 Post-finishing 五、現代絲綢羅的加工織造 Weaving Process of Modem Silk Leno 第三章 羅組織的結構 The Structure of Leno **節 羅組織的概念和形成過程 The Concept and Formation Process of Leno Weaves 一、羅組織的基本概念 The Basic Concepts ofLeno Weaves 二、羅組織的形成 The Formation of Leno Weaves 第二節 羅組織的上機 The Looming Plans of Leno Weaves 一、上機圖的繪制 Graphic Design for the Looming Plans of Leno Weaves 二、上機要點 The Key Point of Weaving 第三節 羅組織的應用實例 The Application Examples of Leno Weaves 第四章 羅的傳承與保護 The Inheritance and Protection of Leno **節 羅的傳承現狀 The Current Situation of Leno Inheritance 一、杭羅傳承現狀 Current Situation ofHang Leno Inheritance 二、吳羅(四經絞羅)傳承現狀 The Current Situation of Wu Leno(Four-warp) Twisted Leno Inheritance 第二節 羅織造技藝傳承人 The Inheritors ofLeno Weaving Technique 一、杭羅織造技藝傳承人 Inheritors ofHang Leno Weaving Technique 二、吳羅織造技藝傳承人 Inheritors ofWu Leno Weaving Technique 第三節 羅傳承與發展面臨的困境 The Difficulties in Leno Inheritance and Development 一、代表性傳承人老齡化嚴重，缺乏接班人 Aging of Representative Inheritors and Lack of Successors 二、缺乏色彩、圖案設計人員，制約羅新產品開發 Lack ofColor and PaRem Designers.Restricting the Development of New Leno Products 三、織造工藝復雜，效率低，生產成本高 Complex Weaving Process Low-efficiency and High Production Costs 四、產品出口量減少，國內消費趨于小眾市場 Export Trades Decline while Dnmestic Market Niche 第四節 羅的保護、傳承與發展建議 Proposals for Leno Protection, Inheritance and Development 一、建立羅織造技藝的非遺生態圈 Establishing an Intangible Cultural HeritageEcosystem for Leno Weaving Technique 二、完善羅織造技藝的保護傳承發展平臺 Improving the Protection and Development Platform of Leno Weaving Technique 三、豐富羅織造技藝的宣傳推廣形式 Enriching Forms of Publicity and Promotionof Leno Weaving Technique 四、在地方高校中傳承絲綢非遺技藝和文化，充實傳承人隊伍 Passing on SilkIntangible Cultural Technique and Culture in Local Institutions of Higher Learning to Enrich the Team of Inheritors 五、搭建產學研合作平臺，推動羅產品的開發與創新設計 Building a Platform for Industry-university-research Cooperation to Promote the Development and Innovative Design of Leno Products 六、推動羅織造技藝的工藝研發 Promoting Research and Development in LenoWeaving Technique 第五章 羅的創新與應用 The Innovation and Application of Leno **節 蘇州地域文化及其視覺化提煉 An Overview and Visual Refinement of Suzhou Regional Culture 第二節 蘇州地域文化在羅織物設計中的創新應用 The Innovative Applicationof Suzhou Regional Culture in Leno Fabric Design 第三節 桃花塢年畫元素在羅織物設計中的創新應用 The Innovative Applicationof Taohuawu New Year Pictures Elements in Leno Fabric Design 第四節 昆曲元素在羅織物設計中的創新應用 The Innovative Application ofKunqu Opera Elements in Leno Fabric Design 參考文獻 References